Memorials & Follies


Introduction

The first main achievement of the Heritage Centre was to purchase and display locally the iconic Model Railway constructed by Peter Goss. The model depicts the village at a time during World War II when troops were assembling prior to their departure for the Normandy Landings, which heralded the beginning of the end of the war.

There are memorials to both World Wars in the village and a mosaic celebrating the Queen’s 60th Jubilee. This page also contains details of other types of memorials and also the follies on the Staunton Estate.


War Memorials

King’s Stone, Manor Lodge Road

Due to the presence of troops in Rowland’s Castle during World War II, King George VI, as part of his major tour-de-force inspection in the Portsmouth area, reviewed and took the salute from a number of troops in Manor Lodge Road, which has subsequently been celebrated by the modest monument called the King’s Stone.

There is a shield on the stone monument above the inscription ‘Here on 22nd May 1944 His Majesty King George VI reviewed and bade God speed to his troops, about to embark for the invasion and liberation of Europe – Deo Gratias’.

In January 2005, repairs were carried out on the stone, a wall built to frame it. A plaque was added in front of the stone, commemorating the repair, which was funded by Hampshire County Council, East Hants District Council, Rowlands Castle Historical Society and local donations.

Village War Memorial by St John’s Church

The Village War Memorial provides a record of the fallen from the two World Wars. It was dedicated on 2nd November 1919 and the inscription reads ‘Erected in grateful memory of the men of this district whose names are inscribed hereon who gave their lives in the Great War 1914-1919’. Then after World War II, this was added ‘In grateful memory, the names are added of those who gave their lives 1939-1945’.

During the second World War II, Rowlands Castle was an important site, being close to embarkation points for the cross-channel crossing to France. There were railway sidings which allowed soldiers and tanks to detrain and then take cover in the extensive forests of the Stansted Estate. The troops were assembling prior to their departure for the Normandy Landings. This website has a series of video clips and photographs which illustrate and interpret the Model Railway which depicts the village at that time.


Jubilees

Golden Jubilee

Queen Elizabeth II’s Golden Jubilee

In 2002, a tree was planted on the south side of The Green, to commemorate the Golden Jubilee 0f Queen Elizabeth II.

Diamond Jubilee

Queen Elizabeth II’s Diamond Jubilee Mosaic

To celebrate the Queen’s Diamond Jubilee in 2012, street parties were held across the country and Rowlands Castle residents joined in enthusiastically. The Queen’s Diamond Jubilee page contains wonderful photographs of the day’s celebrations.

Following these very successful celebrations, the organising committee decided to raise funds to create a permanent commemoration of the day in the village. Situated on the south side of The Green, the resulting memorial was the Diamond Jubilee Mosaic designed by Elizabeth de Ath (who lives and works in Hove).

The mosaic was unveiled in September 2014. The artist Elizabeth de Ath was present at the ceremony together with John Featherstone who built the brick plinth. Elizabeth told the gathering that it had taken her six hours a day for six weeks to create the mosaic with hundreds of tiles made from glass or ceramic.

The mosaic shows a Union Flag, fireworks, villagers dancing and the central image is a teapot pouring diamonds topped with the royal crown which shimmers at night with the Venetian gold trimming. The chairman of the RCDJCG is quoted as saying that “It proves when a few good people get together, we can do some fantastic things”

The story behind the Mosaic

Background

With the remaining funds left over from the 2012 Jubilee celebrations, together with the proceeds from the sale of the subsequent photo book, the RCDJCG commissioned a permanent installation in the village to commemorate HM The Queen’s Diamond Jubilee. After some discussion, members agreed this installation should take the form of a mosaic. The RCDJCG sought approval from the Parish Council for the mosaic to be situated on the grass verge adjacent to the WI garden and prepared the following brief against which artists could submit their design ideas.

Proposed Site

Rowlands Castle is purported to have the largest green in Hampshire. The proposed site is on a north-facing, wide grass verge adjacent to the village’s green. The verge has a busy footway running past.

Base Details

The RCDJCG envisages a base structure of concrete and brick (possibly with flint-wall details on the side), rectangular in shape with viewing predominantly from the long edge, and angled to provide maximum visibility for all, including small children, wheelchair users etc. The RCDJCG would welcome the artist’s advice on this matter. The base dimensions will be large enough to accommodate the mosaic with a securing border. It is important the installation is low maintenance, robust and as vandal-proof as possible.

Mosaic Details

Size: The RCDJCG is working on the basis of around 4 square metres of mosaic, though a degree of flexibility with regard to dimensions is feasible because it is important any design suits the proposed site.

Design Ideas: The RCDJCG is seeking a figurative design on 2 visual levels which will be colourful, though not specifically red, white and blue, whilst harmonising with the surrounding environment of the large village green. The proposed site tends to be quite shaded, and any design will need to bear this in mind. It should appeal to all ages, and both residents and visitors alike. Ideally, it would include different kinds and sizes of mosaic tile, including some which would make the mosaic appealing to visually-impaired people. The design might show a larger image when viewed from a distance, eg a crown, diamond. Then, as the viewer gets closer, the RCDJCG is especially keen that smaller, ‘hidden’ items are revealed as part of the design, to maintain interest and give observers something to look for. These would include depictions related to the Queen and/or the village’s Jubilee celebrations. The following is a list of ideas to date, though any design need not include all of them: a crown, the Union flag, a cupcake, on cake stand, teapot, tea cup and saucer, slice of cake on plate, vintage car (Reilly) and/or tractor (Massey Ferguson), a diamond, fireworks, bunting, a corgi/bulldog, girls/boys in 50s fashion, a picnic blanket set with food, the EIIR logo, the national Diamond Jubilee logo, the Queen’s head, the dates 1952 to 2012,the sceptre, a throne, a pig, a tug o’war, an example of the DJ Medal and/or badge the RCDJCG produced for the celebrations.

Elizabeth de Ath

The RCDJCG approached a range of mosaic artists and sought their design ideas. Elizabeth de Ath, who lives and works in Hove, was appointed by the RCDJCG to design and construct the mosaic.

One of Elizabeth’s design ideas submitted to RCDJCG

An outline of the base for the mosaic


Follies

The Shell House, Staunton Park

The Shell House was built in 1828 and is covered in shells from Hayling Island. The house is hexagonal in shape and was based on the design of the Chichester Cross. By 1836 George Staunton was using the Shell House as a museum of curiosities for such items as a stuffed crocodile and examples of Roman pottery. This structure is a Grade II* listed building and it now holds a number of plaques commemorating Staunton’s ancestors. As part of renovation works funded by the Lottery Fund, the Shell House was restored to its former glory in 2020. The photos above show it before and after restoration. Post-restoration photo by Teresa Benger.

The Beacon, Staunton Park

The beacon is a folly built in 1830 in the style of an ionic temple to a design by Lewis Vulliamy. It was largely built with material from the demolished Purbrook House. The roof is domed and supported by eight Doric columns. The roof has a hole designed to allow a flagpole to be placed there. It is believed that a Union Flag was hoisted on top of the Beacon to signal to Staunton when the lord of the manor was in residence.


Post Boxes

It was in 1849 when the British Post Office first encouraged people to install a letter box to facilitate the delivery of mail. Before then, letterboxes of a similar design had been installed in the doors and walls of post offices for people to drop off outgoing mail. Examples of such a wall box are those pictured above in Redhill Road, Finchdean Road and Links Lane, respectively. These older wall boxes are inscribed with the monarch of the time, George V (1910 – 1936) and George VI (1936 – 1952).

Free-standing pillar boxes (such as the one shown on The Green) have been in use since 1852, just twelve years after the introduction of the first adhesive postage stamps (Penny Black) and uniform penny post.  According to the Letter Box Study Group, there are more than 150 recognised designs and varieties of pillar boxes and wall boxes, not all of which have known surviving examples. The red post box is regarded as a British cultural icon. Royal Mail estimates there are over 100,000 post boxes in the United Kingdom.


Hampshire Villages Initiative

In 1994, as part of Hampshire County Council’s Hampshire Villages Initiative (HVI), Rowlands Castle was provided with funds to enhance the village gateway name signage and to provide some cast iron seats and bins on The Green. The HVI sought to add value by working in partnership with those communities which would benefit by having additional funds to ensure that their proposed improvements would reflect the unique sense of place of Hampshire’s villages. 


Icons – Shipwright’s Way

The Shipwright’s Way runs from Alice Holt Forest near Farnham in the north of Hampshire down to Portsmouth’s Historic Dockyard, via the Hayling Island ferry. On its way, it passes through Finchdean and Rowlands Castle. This was the route by which trees from the Alice Holt Forest were transported for use in the dockyard for shipbuilding.

There are twenty sculptures along the route of Shipwrights Way, each depicting a story or aspect of the area where they stand. The subjects were suggested by local people and then carved from creamy Portland stone by artist Richard Perry.

The Finchdean sculpture alludes to the ‘Binding Tree’, a large elm which stood on the green outside the smithy and reputedly hung with the blacksmith’s tools and patterns he used to bend wheel rims into shape. The sculpture was inspired by drawings from the Rowlands Castle Brownies.

Rowlands Castle has a flint cast of a sea urchin, known as a Shepherd’s Crown, named because the five rays converging on the apex resemble the ribs of a crown. They were often found by shepherds caring for their flock on the chalk down lands.

Website: Shipwright’s Way.


Icons – Finger Posts

Legislation was enacted in England as far back as 1697, which enabled magistrates to place direction posts at cross-highways. Mandatory standards (The Traffic Signs (Size, Colour and Type) Provisional Regulations) were passed for Great Britain in 1933 which required poles to be painted with black and white bands and lettering to be of a different typeface. However, during World War II, signposts were removed from across much of the UK, lest enemy forces use them for navigation, and were replaced in the late 1940s.

Road signing was next comprehensively reviewed in the UK from 1961 by the government appointed Worboys Committee and the 1964 Traffic Signs Regulations brought in the signing system largely remaining in force today. Whilst the 1964 regulations did encourage local authorities to remove and replace traditional fingerposts with the new designs, it was not made compulsory to do so, which is why we are lucky to still have those signs in our villages. One interesting factor in the new design was that it did not allow for mileages of over three miles to be expressed with the use of halves and quarters. Therefore, those new fingerposts were required to round the previously more accurate distance measurements.

Whilst some elements of fingerpost design were prescribed during the period when their introduction became most widespread, there was plenty of scope for distinctive spread of designs which remains to today. Fingerpost survival is highest in rural areas and away from major roads. Reacting to concern about the loss of historic fingerposts from the rural landscape, an advisory leaflet was issued by the Department for Transport and English Heritage in June 2005, which stated that “All surviving traditional fingerpost direction signs should be retained in-situ and maintained on a regular basis. They should be repainted every five years in traditional black and white livery. Other colours should be used only when these are known to have been in use before 1940”.

The inclusion of the highway authority name took the form of raised or recessed lettering written down the poles or as part of a finial or roundel (when the centre is hollow, called an annulus) design (as seen in the photo of the Rowland’s Castle sign above).


Icons – Village Entry Signs

The oldest sign above shows the village name with Hampshire Village Initiatives logo. Subsequent signs have been attached to speed limit signs in an attempt to slow down the traffic coming into the village, particularly on Manor Lodge Road, which is part of the B2149 between Horndean and Havant, and Whichers Gate Road, which is part of the B2148 from Emsworth – both busy thoroughfares.

More recently, new signs have been erected featuring a gate.


Icons – Flying the Flag

RCA
RCA
RCA

Although many villagers fly flags on their own poles for various occasions, a flag will always be raised on the flagpole on the village green for all important occasions and memorials. The Rowlands Castle Association appoints a Flag Master.


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